MMXXVII · Chapter II

Born from

an intolerance

for the average.

We began in a small laboratory. A gluten-free kitchen for those who had been told to choose between health and pleasure. We refused the choice. We are still refusing it — only now, in a language wider than a kitchen.

FOLLOW THE ANNOUNCEMENT
ITALIAN MAISON — RARE EDITIONS
NOW ANNOUNCING · MMXXVII

The Birth Of A Maison

MMXXVII marks the passage. From a discipline practised in silence for a decade, to a maison ready to publish. This is the announcement of what happens next.

IN COMPOSITION
First Edition · Autumn MMXXVII
PRESS KIT

For editorial features, distribution enquiries, and founding-edition allocation.

PRESS & MEDIA
I — ORIGINS

A Kitchen Without Compromise

Intollerantia was born as a gluten-free gastronomic laboratory — a place where people who could not eat what everyone else ate would find, on the contrary, more than what everyone else ate.

We were known, in those years, for a discipline: we did not accept every ingredient, we did not accept every partner, we did not accept every shortcut. Each collaboration was selected — as a curator selects a room, not as a merchant fills a shelf.

We learned that intolerance is not a condition. It is an ethical filter. And the same filter that saved a coeliac guest could save a whole category of Italian excellence: the one nobody was defending.

INTOLLERANTIA · MAISON ITALIANA · EDIZIONI RARERINTOLLERANTIA · MAISON ITALIANA · EDIZIONI RARERINTOLLERANTIA · MAISON ITALIANA · EDIZIONI RARERINTOLLERANTIA · MAISON ITALIANA · EDIZIONI RARERINTOLLERANTIA · MAISON ITALIANA · EDIZIONI RARERINTOLLERANTIA · MAISON ITALIANA · EDIZIONI RARER
II — EVOLUTION

From Laboratory To Maison

The next chapter is wider than a kitchen. Intollerantia becomes a maison — a house that publishes editions of what our land already knows how to do best, but has stopped naming with care.

2019

The Laboratory

Gluten-free kitchen. Selected collaborations. A discipline against the shortcut.

2020

The Filter

We understood that our real product was a criterion — not a recipe.

2026

The Change

The kitchen closes as a laboratory and reopens as a maison. The passage is announced.

2027

The Release

First commercial edition. Numbered. Published. Placed in the hands that were waiting.

III — MISSION

What We Will Do

To make known the selected products of our land — those that Italy has produced quietly, for centuries, without a maison willing to publish them properly.

01

Select

One estate. One name. One responsibility. We do not build a catalogue. We compose an edition.

02

Publish

Every product is issued as an editor issues a rare book — numbered, signed, in a run that ends.

03

Reveal

We name the field, the farmer, the November light, the exact vessel. Nothing is generic. Nothing is anonymous.

04

Refuse

We refuse volume, we refuse gloss, we refuse the language of luxury. We prefer the language of place.

IV — WHAT WE ARE

A House Of Rare Editions

We are not a brand of many products. We are a maison of few, chosen, well-published editions of the Italian territory. Our first edition is olive oil from Western Sicily. The next editions — food, beauty, home — will follow when they are ready to be named.

Intollerantia — the family of vessels
THE FAMILY OF VESSELS
Monocultivar · Blender · Latta · Bottiglia
MMXXVII · EDIZIONE I
Food
FIRST EDITION

Food

01

Extra virgin olive oil, salt, honey. Western Sicily first.

Beauty
IN PREPARATION

Beauty

02

The same olive, decanted for the skin. Under composition.

Home
IN PREPARATION

Home

03

Objects that do not consume — they last. In study.

V.I — THE TERRITORY OF SALT

The Salt Pans Of Trapani

Between Trapani and Marsala, water becomes rose, then white. It is the oldest editorial act of this coast — the sea publishes itself, one crystal at a time, under a light that only appears here.

Salt pyramids reflecting on pink brine
RISERVA NATURALE SALINE DI TRAPANI E PACECO · WWF

The salt of Trapani is harvested by hand from July to September, gathered into pyramids that reflect on the pink surface of the vasca.

The windmill towers — Torre di Nubia among them — do not decorate the horizon: they operate it. They lift the brine, they move the water, they still work.

We look here first when we choose an ingredient. If the salt of this place has been published for two thousand years without a name too loud, then everything we publish must be able to stand next to it.

HARVEST
July → September
METHOD
Wind, sun, hand
Terracotta tiles above salt pans
Fig. I · Egadi · Verso Marettimo
Panoramica delle saline con torre di Nubia
Fig. II · Torre di Nubia
Vasca di evaporazione
Fig. III · Vasca · Evaporazione
Saline di Trapani — Torre di Nubia
V — PLACE

Where We Look From

Trapani. Marettimo. The salt pans, the November wind, the sea that has never been generic. From this angle we look at Italy — and we choose.

37° 58′ N · 12° 03′ E
TRAPANI · SICILIA · ITALIA
MARETTIMO · ISOLE EGADI
VI — FOUNDER'S NOTE

A Personal Word

We did not start Intollerantia to sell more.

We started it because a table without care is a small betrayal, repeated three times a day.

We continue it because Italy has more to give than what its shelves are willing to publish.

The Founder
VIII — FOLLOW THE ANNOUNCEMENT

Two Silent Channels

We do not run campaigns. We publish once, at each edition. Follow to receive the first line — before the shelf, before the press.

VII — CIRCLE

Enter The Reader's Circle

We write once, at each edition. No promotions, no discounts. Only the announcement of what has been chosen, and why.